This week I'll be installing my solo show Waterways at the Delaware Center for the Contemporary Arts in Wilmington, DE. I'm so excited to see this group of paintings together in the white cube. Here's an excerpt from my press release and one of the pieces included in the show.
Spilling Over, 24 x 24 inches
The title of the show Waterways refers to the intrinsic qualities of water that are the subject matter for Celestian’s oil paintings.
She depicts the movement and energy observed in nature with layered spills, pours and splatters of thinned oil paint. The paint in its liquid form is allowed to run and puddle and form similar patterns to waterways. Linda is interested in portraying the energy and life force of water to elicit an emotional response. She is inspired as much by aerial photography, as by personal observations of the ocean, lakes of her childhood, and the creek in her neighborhood.
There is a correlation between these imaginary waterways and our own circulatory system illustrating the connection between earth and mankind.
If you are in the area stop by the opening on Friday the 4th, from 5:30-9pm. I'm also showing ink paintings on the featured artist wall on the 2nd floor of the studio building and fiber work in process in my studio. I hope to see you there.
Inspiration can come from unexpected places. I think my senses are heightened because I spend a lot of time working in the visual realm. My acting teacher called it looking with soft eyes, like a baby. This is something we actually practiced in acting class. I think it's the way I've always seen things. I've been known for seeing things others miss and in turn not seeing things that others think are blatant, like street signs.
I have a solo show going up in 3 weeks. So, today I did what any sane, rational person would do, I started a new large painting. My show at the Delaware Center for the Contemporary Arts will be in the Elizabeth Denison Hatch Gallery for the month of February. I'm hoping that crazy winter weather doesn't keep people away for the opening Friday evening February 4th.
Beili Liu is an amazing artist working in installation and 2D art. I'm struggling right now to find the balance between these two areas of my own work so I find her to be an inspiration. I found her featured on Christine Mauersberger's blog.
Here's a few of her impressive works and excerpts from her website.
Ailment
In Chinese tradition, spirit money is burnt for ancestors and spirits in the after world as an offering. Aliment is made from approximately 5000 sheets of Chinese spirit money, each folded in half, and tightly spiraled into a solid wheel. On one side, the rich and warm texture shimmers of silver and gold, on the other side, dense layers of paper edges are charred black. The partial burning, transforms the piece into a symbolic gateway, one side facing the present, the other side bridging to the afterworld.
Yun Yan
“Yun Yan” stands for “cloud and smoke” in Chinese, and refers to things temporal and fleeting in life. Each mark is drawn using a stick of burning incense lightly brushing onto the surface of the rice paper.
Void
Each of the 49 layers of silk organza holds a delicate ring drawn with a burning incense. Each ring reduces in size until it recedes to a small circle. Through the void of the layering black silk, the spectator is drawn to a subtle hint of light at the end of the portal.
Lure/Rise
"The ancient Chinese legend of the red thread tells that when children are born, invisible red threads connect them to the ones whom they are fated to be with. Over the years of their lives they come closer and eventurally find each other, overcoming the distance between, and cultural and social divides.
Red Thread Legend Series is a group of installations inspired by this tale. Lure/Forest is the first project of the series.
The installation makes use of thousands of hand spiraled coils of red thread suspended from the ceiling of the gallery. Each disk is connected to another, as a “couple”, and each pair is made from a single thread. Every coil is pierced in the center by a sewing needle, which enables the suspension of the disks a few inches from the ground. Subtle air currents set the red disks swaying and turning slowly as the loose strands of thread on the floor drift and become entangled.
Here's a video interview with her that I enjoyed and wanted to share. Happy New Year.
