Art in the Open, Philadelphia 2012

I'm still digging paint out from under my nails and recovering from the 1,800 times I crouched and stood up while working. The weather was beautiful. I was in the sun but it didn't bother me because I was talking or working the entire time. My paint tarps were saturated and I had to hang them out to dry when I got home. I worked in fluid acrylics mixed with pouring medium and water, thanks to support from an opportunity grant from the Delaware Division of the Arts.

My work is about my connection to nature. The combination of the environment and my process were successful in drawing observers attention to the river and their own relationship to nature. People enjoyed watching the thinned down paint run and form natural patterns and commented on how it reminded them of rivers, tree branches and their own veins. This was especially true of the paintings on Plexiglass as they are reminiscent of microcosms on slides. I enjoyed hearing peoples thoughts, feelings and impressions of the process and the work as it evolved over the 3 days. I met so many nice people and look forward to seeing the other participating artists at the exhibition opening on June 14th at the Independence Seaport Museum.

Some of the finished work...

I photographed these quickly in my studio for the curator of the show. I'm still working on how the Plexiglas pieces will be displayed.

Art in the Open, Philadelphia 2012

I've been selected to participate in Art in the Open Philadelphia, May 18 - 20, 2012 along the Schuylkill River Banks. Art in the Open (AiO) is a citywide event that celebrates artists, their inspirations for creating art, and their relationships with the urban environment. The above picture was taken on the Schuylkill River Trail, near 23rd and Race a few weeks ago.

What is this event exactly? Well it's not an art fair. I'm not selling my work this weekend I'm creating the work. It's in the tradition of en plein air painting a French expression which means "in the open air", and is particularly used to describe the act of painting outdoors. I'll be working in acrylic paint, watercolor and colored inks for the convenience of their quick drying qualities. With the support of an opportunity grant from the Delaware Division of the Arts I purchased fluid acrylics, pouring medium, wood panels and some large pieces of Plexiglas to paint on. I'll also bring some primed and unprimed stretched canvases and watercolor paper.

My work is about nature and the connection between man and nature. It seems fitting to make my work outside on location en plein air. My process is pouring thinned paint, allowing it to run and puddle like liquids in nature. The result is patterns similar to waterways. There is a correlation between these imaginary waterways and our own circulatory system, illustrating the connection between earth and mankind. I usually work in a climate-controlled studio so I’m interested in taking on the challenge of working outdoors. This will push my work forward as I embrace chance and make nature my muse and partner. I will invite whatever effect wind, sun, and rain have on the work. That's what I wrote for my proposal anyway but it looks like it's going to be beautiful weather those 3 days.

I'm really looking forward to this opportunity to step outside of my comfort zone and see what happens. The finished work will be exhibited at the Independence Seaport Museum, Philadelphia, June 14 - September 9, 2012.

If you are thinking about coming out this weekend there will be 17 other artists working in a variety of styles and fun, family art activities scheduled throughout the event. Check the Art in the Open website for dates, times and locations. I will be doing real time updates on my location and progress on my Linda Celestian Artist Facebook page. Follow the link and "Like" my page.

New Work

Grounded, 48 x 46 inches

I've finished three of the large paintings. One still alludes me.
Oh and I might still work on the green one. One area is still bothering
ing me, ugh. I should have listened to Drew and left it alone when he told me to. I wish there was a back button in painting.

In the Beginning, 48 x 46 inches

Somewhere Only We Know, 36 x 60 inches

New Work

I'm excited to have finally started new paintings in my new space.

My Opening in Arden

Thanks to everyone that made it out to my opening at the Buzz Ware Village Center in Arden this past Friday evening. It was nice to see so many neighbors and friends and meet some new people as well. It was a great turnout and I received really nice comments about the work. Here's how it looked minus one corner I didn't get a picture of.

I know it's not quite the same as seeing it in person.

My next show is in Wilmington at the Carvel State Office Building at 820 N. French Street in the Delaware Division of the Arts, Mezzanine Gallery for the month of July. The opening is July 8th, 5-8 p m. This is the second Friday due to the 4th of July weekend.

Duets Dilemma

I've been trying to choose a duet for my application for the Delaware Center for Contemporary Arts, Annual Members' Juried Exhibition: Duets

The call for entry reads:
Artists are invited to submit paired works of art in order to create duets. The two works by each artist may be in any media. One work may be a video, and the other a painting—or a photo and an etching—or both may be sculptures, or textiles, or drawings, or whatever else is appropriate. The two works may be serial (think Monet’s haystacks) or completely unrelated. Here, the artist acts as a curator of his or her own work. By pairing works in duets, the artist has the opportunity to call greater attention to an aspect of his or her practice, or an element of the work, such as color, scale, subject, medium, and so on. The exhibition that will result from the submissions will be an exhibition of duets. Some works may harmonize, others may offer a radical or unexpected juxtaposition. In all instances, the hope is that the presentation of works in pairs by individual artists will offer the viewer a focused and dynamic engagement with the work. Please do not title the duet. Each work should have its own title and the viewer will make the connection between the two works visually.

I have a lot of options but found out I can only submit one. Here's a few I'm considering.

Duet #1

Bottom of the Ocean, oil on canvas, 48 x 46 inches, and Bubbles, 12 x 12 x 5 inches, silk, dye and nylon thread

Duet #2

Golden, Oil on canvas, 48 x 46 inches, and Sickening, Ink on Paper, 5 x 5 inches

Duet #3

Surf, Encaustic on Board, 9 x 12 inches, and Froth, Silk and dye, 7 x 12 inches

Duet #4

Feeling Blue, Ink on paper, 7 x 11 inches, and Go With the Flow, Silk, dye, wool and nylon thread, 15 x 17 inches

Duet #5.

Ocean View, Silk, wool, dye and nylon thread, 5 x 7 inches and Ocean, Ink on paper, 7 x 11 inches

These are only some of my choices, so you can see my dilemma. How am I suppose to chose just one? Comments welcome.

Inspiration

Inspiration can come from unexpected places. I think my senses are heightened because I spend a lot of time working in the visual realm. My acting teacher called it looking with soft eyes, like a baby. This is something we actually practiced in acting class. I think it's the way I've always seen things. I've been known for seeing things others miss and in turn not seeing things that others think are blatant, like street signs.

Salt stains on asphalt.