My Opening in Arden

Thanks to everyone that made it out to my opening at the Buzz Ware Village Center in Arden this past Friday evening. It was nice to see so many neighbors and friends and meet some new people as well. It was a great turnout and I received really nice comments about the work. Here's how it looked minus one corner I didn't get a picture of.

I know it's not quite the same as seeing it in person.

My next show is in Wilmington at the Carvel State Office Building at 820 N. French Street in the Delaware Division of the Arts, Mezzanine Gallery for the month of July. The opening is July 8th, 5-8 p m. This is the second Friday due to the 4th of July weekend.

Working in the Studio

This is an ink painting I worked on this summer. For me it sums up our summer trip and I think it's title should be "Looking for the Waterfall". It looks like the global positioning unit we used in my car whenever we set out on one of our sightseeing trips. So does that keep this piece from being abstract because it so closely resembles a map?

I seem to be struggling with this concept of abstract versus abstraction in my work. Labels, genres, categories and such seem to be for art historians so I shouldn't concern myself with this while I'm working. That said, it's always good to ask questions, and know where you are heading like looking at a map once in a while. I feel the work should have something to say, whether everyone gets it is another question entirely. I always say that images were used to communicate before written language and have the potential to communicate more directly than words. My work comes from my heart and usually communicates what I'm going through so maybe that's exactly why the work is a struggle right now. It's caught between representation and non representation as I struggle with whether to paint for an audience or paint purely for myself with no regard as to whether it will make it into a prestigious gallery or sell for a nice price. Is validation from an outside source as important as I perceive it to be?
Then on top of that I add working with a new medium just for kicks.
Here are some encaustic paintings I worked on this week.

These were 2 that I kind of liked. Another one I fought with for days wasn't even worth photographing. I was ready to just throw in the towel even though I'm not a quitter. I was thinking to myself maybe I should just be concentrating on oil painting and give up on the encaustic while I'm ahead and then I eek out one or two little things that keep me intrigued. This week it was gouging out lines, then filling them with a color and then scraping the whole surface smooth so that the fill color only shows in the gouged areas. That is called learning and then comes applying that knowledge appropriately and with finesse. Stay tuned.